A punter's view

John & Vicki McGrath have been regular attendees for many years at my Sydney and South Coast concerts. Read their summation of the first concert on the Visions tour at Bundanon last Saturday

Here's a punter's view of Mark Isaacs's Visions launch held in the Shoalhaven.

As we wound down the steep valley road to Riversdale anticipation grew for what would be a special afternoon/evening of music. We were early and strolled over to the music room - the eye was drawn to the magnificent view. The room is perched on the side of a hill which looked straight down the Shoalhaven river, one side is banked by a tall tree lined mountain, the other freshly mown fields, at the bottom of the hill a wombat foraged in the lime green grass. The piano and drum kit were already in place, both taking advantage of the vistas. We grabbed some wine and sat on the grass soaking up the atmosphere, though a little worried about the dark clouds moving in quickly.

At 5 our host welcomed us and introduced to the 120 strong audience... on piano Mark Isaacs, Ben Waples on bass, and James Hauptmann on drums. Mark started to explain his ‘vision’ for the concert, it focused on his new recording, music of the composers of the sixties and early seventies, something he has wanted to do for a while now.

He introduced the first piece and stated it was a quiet piece. As Mark composed himself to begin, a flash of lightning and thunder crashed outside bringing a grin to the faces of the band members. With that dramatic intro the trio delicately explored Stevie Wonders’ Visions, then beautifully movied into Fool on the Hill. As is Mark’s penchant it took a while to work out it was the Lennon/McCartney tune. Mark’s partners played intuitively, drummer James Hauptmann totally focused on Mark. I believe this is one of Mark’s best bands for a while now. The set ended when the pace picked up on James Taylors’ Fire and Rain - the trio really worked out on this one, taking the song far from its origins.

The second set covered more of what I would describe as music of my generation, Simon and Garfunkels’ The Sounds of Silence, Roberta Flacks’ hit The First Time Ever I Saw Your Face and unexpectedly John Denvers’ Leaving on a Jet Plane which was one of the most successful adaptions from the trio. They were starting to take more solos this set - the audience approved wholeheartedly. Mark should contact Qantas or Virgin Airlines with this arrangement, it would make a good signature piece for them.

The last tune was from the pen of Henry Mancini, Moon River, another beautiful arrangement, my Huckelberry Friend. Talking to friends after the concert one thing stood out and it was the respect Mark had shown in his arrangements to the composers of these iconic tunes.

The music, dramatic weather, scenery and beautiful music made for that very special afternoon. As the eternal optimist J.F. exclaimed ‘it doesn’t get any better than that’. As we left and the wombat crossed the road in front of us, I swear he winked at us.

John & Vicki